Othello: Moral and Immoral Aspects of the Play Essay -- GCSE Coursewor

Othello Moral and Immoral Aspects of the Play Certain aspects of the moral dimension of the Shakespearean tragedy Othello are obvious to the audience, for example, the identity of the most immoral character. Other aspects are not so noticeable. Let us in this essay deem in depth this dimension of the drama. Francis Ferguson in Two Worldviews Echo Each Other describes the deception of Iago how he paints as evil a guiltless intimacy between Cassio and Desdemona The main conflict of the play is a strange one, for Othello cannot see his opponent until too late. But the audience sees with extraordinary clarity. In Act II Iago tricks Cassio into disgracing himself, and then takes advantage of the guileless affection between Cassio and Desdemona to create, for Othello, the appearance of evil. He explains this scheme to the audience, with mounting pleasure, as it develops and by Act III he is cook to snare Othello himself. . . .(133) The moral and immoral dimension of Othello, espe cially the latter, is enhanced simply by its location in Italy. Louis B. Wright and Virginia A. LaMar in The Engaging Qualities of Othello comment on how the strange setting of this play satisfied the Elizabethan dramatists dream of portraying evil Elizabethan dramatists were fond of portraying characters of consummate evil, and if they could lay the scenes in Italy, all the better, because the literature and legend of the day were filled with stories of the wickedness of Italy. . . . Venice especially had a glamor and an interest beyond the normal. Every returning traveler had a tall tale to tell about the beauty and complaisance of Venetian women, the passion, jealousy, and quick anger o... ...reenhaven Press, 1996. Reprint from Shakespeare The Pattern in His Carpet. N.p. n.p., 1970. Jorgensen, Paul A. William Shakespeare The Tragedies. Boston Twayne Publishers, 1985. Pitt, Angela. Women in Shakespeares Tragedies. Readings on The Tragedies. Ed. Clarice Swisher. San Diego Gree nhaven Press, 1996. Reprint from Shakespeares Women. N.p. n.p., 1981. Shakespeare, William. Othello. In The Electric Shakespeare. Princeton University. 1996. http//www.eiu.edu/multilit/studyabroad/othello/othello_all.html No line nos. Wright, Louis B. and Virginia A. LaMar. The Engaging Qualities of Othello. Readings on The Tragedies. Ed. Clarice Swisher. San Diego Greenhaven Press, 1996. Reprint from Introduction to The Tragedy of Othello, the Moor of Venice by William Shakespeare. N. p. Simon and Schuster, Inc., 1957.